Irene Holt

Positive Feature is a handmade, layered font. All layers comes with contextual alternates, which means you have 4 different versions of each lowercase letter to play around with.
What’s cool about the two layer versions is that they mix in a lovely way! Try typing your text with layer 1, copy/paste layer 2 on top in a different color - perhaps even alter the transparency a bit…and all of a sudden a nice effect sees the light of day! :)

»Elita« is a 100% geometric font designed on a 3 by 16 grid that makes it very slim. There are no optical tricks employed, it is purely geometric. The extreme narrow font design gives it high black and white contrast. The font is not made to write long copy, but it is perfect if you want to employ that magic between pure geometric and almost impossible to read. Just look at the samples and enjoy!

Monteria is a clean brush script font with nice flow and soft forms. The basic letters are quite simple but if you want to make it to look more showy there is plenty of alternates to make it happen. It is suitable for logos, titles, t-shirts, packages and where ever you will need this kind of lining and legible script font.

Monteria includes lots of Stylistic Alternates that gives you many options to customize your text. There are multiple options for upper case letters. Lower cases has options for initial forms, final forms, end swashes, multiple options for ascenders and decenders. All the Stylistic Alternates has also language support.

Lately I feel reluctant to watch the news: The Amazon Forest is burning, Australian forests are burning, palm oil controversy… It really brings tears to my eyes to see all this destruction around me. It is like people hate nature with a vengeance - I cannot explain it otherwise.

I made this font to take my mind off things. It was loosely based on Futura, a font I really like.

Understory was completely made by hand. It comes with some cute upper case swashes and a whole bunch of diacritics. The good thing is: no trees were cut down or burned to make this font; in fact, I donated a nice amount of $ to help save the rainforests!

City Boys is a fashionable contrasted sans-serif that can be used in almost any situation.

City Boys has basic, natural and neutral letterforms and skeletons for a wide range of usage.
The glyphs are somewhat humanist yet they have vertical stress for modern and sophisticated impression.
The ratio of the contrast was carefully designed for modern usage –websites, digital, printings and merchandises–.

City Boys consists of 7 weights and their matching Italics for a wide range of usages.
Farther, City Boys is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also CSS covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works.

City Boys Soft is a softly rounded version of this City Boys.

City Boys Soft is a fashionable contrasted sans-serif that can be used in almost any situation.

City Boys has basic, natural and neutral letterforms and skeletons for a wide range of usage.
The glyphs are somewhat humanist yet they have vertical stress for modern and sophisticated impression.
The ratio of the contrast was carefully designed for modern usage –websites, digital, printings and merchandises–.

City Boys consists of 7 weights and their matching Italics for a wide range of usages.
Farther, City Boys is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also CSS covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works.

City Boys is a normal corner version of this City Boys Soft.

Foundry Name:
CozyFonts Foundry/ Tom Nikosey, designer

Family Name:
Flintlock

Family Price: $65.00

Font Price:
Flintlock Rough: $25.00
Flintlock Flat: $25.00
Flintlock Flat Italic: $25.00

Release Date: December 2019
Designer:
Tom Nikosey

Description:
The Flintlock Font Family has a Bold personality. The ‘Rough’ version of the Flintlock Font has a hand-carved or hand-etched edge, carefully crafted for each of over 300 glyphs. Caps, lower case, all numbers, fractions, accents and European characters that work in over 70 languages. ‘Classically Built with a Vintage Flair’. Vintage in the American West Tradition that might have been forged and implemented from the 1860s through the 1930s and consequently fresh again.

Flintlock Rough can be envisioned on many things dated from 1860 to present day. The font is available in 3 basic weights as of this release date. There are other versions on the drawing board…

Flintlock Rough works extremely well with Posters, Branding, Movie Titles, Invites, Stationary, Signage, Embroidery, Letterpress, Ads, Logos and anything that feels Industrial or Hand-Crafted, eg. Coffee, Breweries, Antiques, Woodcuts, Western Styles, Sports Styles, Holidays, Menus, etc.

Flintlock Flat & Flintlock Flat Italic are the siblings to Flintlock Rough without the hand-carved edge but rather clean with slightly rounded corners and edges. Extremely Legible, Bold and best used in all the same application descriptions mentioned above and more, specifically contemporary uses and settings, eg. Sports, Titles, Branding,
Headlines, Logos and more.

Curiously The Flat & Italic versions of Flintlock work extremely well in 1960s and 1970s settings.

Font Styles:
Flintlock Rough
Flintlock Flat
Flintlock Flat Italic