Irene Holt

Fudge Sauce is a fun font duo from Blue Vinyl Fonts!

Fudge Sauce contains the following opentype goodness:

Contextual Alternates
Let’s start with the starting and ending lowercase letters! Sentences with only lowercase typically need some oomph. The starting lowercase letters add impact and balance. Lastly, the lowercase endings finish words off nicely.

The lowercase L gets an entry stroke where needed to add balance.

Swashes
Swashes can be turned on and you shouldn’t have to worry about collisions. If in a rare situation you get a swash that doesn’t play well with others, just highlight it and turn off swash for that character. You can also just drop in swashes manually.

Ligatures
Ligatures will add variation with some common double letter combinations. Turn on Ligatures and swashes and the double lowercase t will come alive!

Alternates
There are alternates that can be manually selected from the glyphs palette. Highlight a letter and check to see if there are any alternates that can be applied.

Stylistic Alternates
With stylistic alternates on, you get a traditional double story uppercase and lowercase Z.

Ornaments
There’s a few brushy swoops. These need to be placed manually in a graphics program.

Fudge Sauce Caps is an all caps font that pairs well with Fudge Sauce!

Language support is broad for both fonts and extends to the Central European market. Fudge Sauce contains 784 characters and Fudge Sauce Caps contains 366 characters.

The Novera family is a sharp geometric sans in ten weights plus matching italics, available in two versions – Modern and Classic. It has a contemporary, approachable and multifunctional yet characteristic design, that comes with an extensive glyphs set of 1000+ glyphs per font, meeting all typographic demands.

The Design
Vertical terminals, circular shapes and angular apexes – Novera truely breathes geometry! But the concept goes beyond the application of rational geometry. The intension was to create a highly legible family suitable for every day usage inspired by the work of Paul Renner, Eric Gill or Jakob Erbar, combining the geometric with the human and the functional with the unconventional. Although Novera is inspired by the past, its appearance is unmistakingly modern.

Modern vs Classic
Novera is available in two versions - Modern and Classic - born from the same source file but with different characters set as default. This creates subtle but effective distinctions such as the double-storey a (Novera Modern) which is optimized for legibility in longer text paragraphs, as opposed to the single-storey a (Novera Classic) which allows a purely geometric appearance. Another distinguishing feature are the ascenders on Novera Mondern, which extend above the cap height for an elegant presence, compared to the ascenders on Novera Classic, ending at the cap height, for a compact and helvetica-flavored look. Novera Modern was intended for usage in body copy, whereas Novera Classic was planned for headlines, short paragraphs or logos, but both versions can be used vice versa too, of course.

Alternate Characters
To maintain neutrality and a modern appearance, the standard character set largely dispenses with idiosyncratic forms. This is in contrast to the alternative forms with the gill-like lowercase letters g and t as well as a traditional shape of S and the German ligature t/z, which traces back to old German spellings. Also inspired by German poster designs from the early 20th century are the elongated i-dots and dieresis-dots that can create eye-catchers in headlines or logos. By the way, both versions, Novera Modern and Classic, can be created via stylistic set 1, 17 and 18.

Say hi to Hopkins and Angela, a casual handwritten font that will convey your messages with personal touch. It comes with underlines which you can access using the opentype feature.

This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :

- uppercase & lowercase
- numbers and punctuation
- multilingual
- ligatures
- alternates
- swashes
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Email us to letterhend@gmail.com if you need something! Happy Designing!

Moranga is a contemporary, serif, retro-style typeface with a strong personality. Its design is a mixture between Café Brasil’s flowing, organic shapes and elements from 70’s popular fonts such as Cooper and Souvenir.

Moranga, in 5 weights and matching italics, is the perfect choice for headlines, display use and high-impact or friendly designs.

Moranga contains a set of more than 400 characters and supports over 200 Latin-based languages.

Redig is a bold condensed display typeface with an assertive and athletic aesthetic. Inspired by newspaper headline typefaces from early 1900s it has chamfered corners with rounded edges that smooths out some harshness and generous x-height to its lower case characters.

Redig will shine when used big. And I mean BIG. This is certainly a case when “bigger is better” really is the truth.

Redig comes with an oblique style and ligatures and works best in headlines, logos, branding, social media or any display type use. Use it big.

Ancoa is a Sans Serif Display typeface, which plays with its rough form and works perfectly on posters, designs of different uses, contains 19 fonts and includes different styles from Inline, Layer Inline, Rough and the different Weights between Regular to Fat.

A piece of sheet music from Hungary (circa1921) entitled “Praerie Trott” offered up some playfully rounded hand lettering in a cartoon-like style.

This was the visual model for Hungarian Nouveau JNL, which is available in both regular and oblique versions.