Irene Holt

Ellograph is a friendly monospaced typeface with a soft, rounded construction and striking cursive italics. A generous x-height and short descenders allow for even, flowing lines of text. Beautiful as a coding font; charming in logos, headlines, and print.

Public Beat is full of fun and party! Look how the letters jumps and bounces while you type your text - well, that’s the Contextual Alternates that are having a party! Each lower-case letter has 4 different versions, that automatically cycles when you type. A great trick to make your text look scrambled and realistic

Beat Fool is my latest layered font. I love making layered fonts, because the possibilities are almost endless! Play around with transparency and your favourite colorschemes and patterns to create awesome effects!
Beat Fool comes in two layers that plays well together. One layer is solid and can be used for shadow, fill, texture or other creative parts of your design. The second layer is the “Regular” one - the outline that made the basis for the font. I wanted the handmade and handwritten brushstrokes visible, to keep the flaws which makes the look more authentic. Every letter has 4 different versions, again to make things more natural and kind of random!
Both layers can be used alone or as described, together - and since it has multilingual support, you can be creative in all kinds of languages! :)

Cal Roman Modern is one more font from PKG “Cal” (Calligraphic) group. This time for calligraphic sketches we used a wide brush instead of the iron pen. Instead of minuscule letters, there are Small Caps (which are the same weight as capitals). Because there is no difference in the stroke thickness of capital letters and lowercase capital letters the difference in height is only one pen width, because of that, it is possible to use small capitals together with capital letters without noticing a difference in the thickness of the letters.

Cal Roman Modern font is rhythmic, informal elegant, bright and light. As such, this font is widely used in the typographic creation of shorter text forms: magazine, catalogs and book titles, logos, posters, movie spots, banners…

I was doodling away with a sharpie pen on a rainy day.
Hey… wait a minute. A rainy day, a font called Rainclouds… Yep, that’s right, it is called Rainclouds for that reason! ;-)

Rainclouds is a fat marker font with a lot of texture and a lot of mouth.

Geraldton is a warm and friendly geometric sans-serif typeface in 8 weights with matching italics. Its low x-height and sharp angles are inspired by geometric types of 1920s and 1930s completed with a slight modern humanist touch.

It features support for all European Latin-based languages as well as Cyrillic script. Apart from being equipped with numerous OpenType features, it also contains dozens of computer-related dingbats.

The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, the specimen was scanned as a source to development some of the uppercase letterforms. However the most unusual and tricky element from this sample is the leg from the uppercase (R) which is different from the original Herold design, until now I didn’t found where this version originally came from. This font family only contain the bold weight, but there are also a stencil and expanded versions available.