Irene Holt

This is Metroflex Pro, an urban, multi purpose standard type system, engineered like a
machine. The design was inspired by the Fritz Lang’s Metropolis, a silent film created in 1926. The basic idea was to design a standard type system that fits into the world of Lang’s Metropolis.

Metroflex Pro features original ideas and solutions that have roots in the present while inspired by past designs such as Univers, Futura, Steile Futura and DIN.

Metroflex Pro - a practical communication tool for contemporary design available in 3 widths: Uni, Narrow and Wide, and five weights: Light, Regular, Medium, Bold and Heavy with Obliques.

While the Adventures of Max Faraday continue in the pages of Wildstorm Comics’ DIVINE RIGHT, another chapter title font has begun on the web pages of the World’s Greatest Comic Book Fonts. Delicately crafted by Mister Fontastic himself, John JG Roshell claims this font was the product of Divine Inspiration. When told he’d been looking at the work of too many French Poster Artists, JG dismissed such allegations as Mucha do about nothing.

Great Scott, Marty! This font is charged by the Power of Love! DOUBLEBACK was created by Comicraft for the official BACK TO THE FUTURE fan club. We can’t guarantee that it’ll take you back in time, but we can recommend a trip to Amazon.com (or .co.uk!) where you’ll find the BACK TO THE FUTURE movies on DVD for the first time.

Pull up your Jackboots and check out this Teutonic title font designed by Richard Starkings for Rob Liefeld’s controversial relaunch of Marvel’s CAPTAIN AMERICA.

Face Front, True Believers, here comes another Spectacular Smash Hit from the Comicraft House of Ideas! A worthy companion to our Monster Mash and Doohickey Masterworks, Framistat is an All-New, Truly Titanic Typeface designed to dutifully display cover copy as demanded by Collector’s Item Classic comic book tradition.

Mantonico is a soft and friendly serif type family with low x-height. Its slightly wide proportions and prominent terminals create a peculiar texture suitable for long reading.

The style range encompasses 8 weights with corresponding italics. The italics themselves are designed for a specifically soft, almost fluid feel.

The typeface features rich language support including Cyrillic and a wide range of OpenType options such as small capitals, numerous sets of digits and over 300 swashed characters.

This is Metroflex Pro, an urban, multi purpose standard type system, engineered like a
machine. The design was inspired by the Fritz Lang’s Metropolis, a silent film created in 1926. The basic idea was to design a standard type system that fits into the world of Lang’s Metropolis.

Metroflex Pro features original ideas and solutions that have roots in the present while inspired by past designs such as Univers, Futura, Steile Futura and DIN.

Metroflex Pro - a practical communication tool for contemporary design available in 3 widths: Uni, Narrow and Wide, and five weights: Light, Regular, Medium, Bold and Heavy with Obliques.