Irene Holt

This is not a brush font!
This is an imitation of brushstrokes, done by pen. But I guess you’ve already noticed that - the brushstrokes are way too obvious, to have been made by brush. Although being a “fake”, the letters leaves you with quite a good impression. Letters were inspired by an old horror movie poster, but is very useful for something less terrifying!

Normally, a short paragraph or two on this page tells the backstory to a font design.  In this particular case, that story has been lost to time. 

Whatever the original source – whether a vintage bit of typography or an original idea – the beginnings of this font lay unfinished for quite a while as it was perceived to duplicate another previous release.

However, after recently checking a sample of the design against other Jeff Levine Fonts, it’s reasonably certain this type face may have similar characteristics, but can stand on its own merit.

That said, Clean Deco JNL is available in both regular and oblique versions.

Based on the classic “Columbian” from the William H. Page Wood Type Company (circa 1870), Cherrywood JNL is a bold slab serif type design available in both regular and oblique versions.

The Youngest is a unique modern font family that contains a handwritten signature script and a classic mid-contrast elegant classic serif in two styles - Display and Book.
Both serif and handwritten script benefit from stylistic alternates and ligatures that give your creativity a wide variety of design options. The Book serif is optimized to be comfortably read on screen in small sizes.
The Youngest Script has more than 600 ligatures (100+ unique basic Latin ligatures, their multilingual variations, and 70+ Cyrillic ligatures) to mimic a realistic handwriting.
The serif style has a lot to offer too - more than 300 ligatures including 40+ basic latin ligatures, their multilingual variations and 30+ Cyrillic ones.
All three styles support most of the Latin based languages as well as have basic (Russian) Cyrillic support.
All three styles, as usually, fully unicode mapped and can be used in the majority of applications available on the market.

Gingo is a wild brush script.
The typeface was drawn and created by Måns Grebäck between 2018 and 2020.
Its thick strokes are inspired by mid-century advertising, is full of spirit and progressiveness.

The handwritten family consists of three weights: Gingo Thin, Gingo Medium and Gingo Bold.

Its multiple alternate alphabets gives the font a true handwritten feeling.
Use it for a logotype, a greeting card or as a headline.

The font contains all characters you’ll ever need, including all punctuation and numbers.
It has an extensive lingual support, covering all European Latin-based scripts.

The name Grape Feud is obviously a wordplay, and is derived of the, sometimes, mistaken of the orange and the (often) purple fruits.
But Grape Feud is also a playful and charming no-nonsense comic style font. The x-height is quite unpredictable, and I’ve added ligature for the most common double letter combinations.

Audacious is a quirky, confident and adorable serif type family across five weights in both text and display styles. This attention-grabbing typeface has an imperfect nature that embraces its quirks and irregularities, giving each font a distinctive and somewhat oddball personality. Its defining characteristics include large open counters, awkward stresses, large exaggerated wedge serifs, and voluptuous teardrop terminals.

Whatever typographic compositions you create, Audacious will demand attention, making it perfect for titling, headlines, logotype, and branding projects. Take advantage of the 182 stylistic alternates to embellish your type and add that touch of class to titles and logos. Display weights work really well with close line spacing and stunning headlines are a breeze to create. Text weights make for a pleasant reading experience while packing all the punch and versatility found in the display variants.

There are 20 fonts altogether, in Text and Display styles with weights from Regular to Black in both roman and italic. Audacious has an extensive character set that covers all Latin European languages.

Key features:

• 2 Styles in Roman and Italic
• 5 weights: Regular, Medium, SemiBold, Bold, & Black
• 182 Alternates
• Full European character set (Latin only)
• 1100+ glyphs per font.