Irene Holt

Based on William H. Page’s Clarendon Extended wood type from the 1800s, Clarified JNL is digitally available in both regular and oblique versions.

In the days of wood and metal type, foundries often made changes to an existing design to make their font more unique and different from their competitors. 

Clarified JNL is different from Clarenwood JNL (which is partially based on another wood type Clarendon and features many alternate letter forms).

Arise speaks clearly and with purpose, it does not need to shout to be heard. It is fairly innocuous and unassuming, you could perhaps say it is straightforward and boring at first glance… but hopefully you will see its defining features upon closer inspection and appreciate its humanistic qualities, its irregularities, and its distinctive elements.

Arise is a multi-purpose type family – being equally at home in text and display scenarios, it retains a pen-drawn style that comes to the fore in its hooked terminals and decorative swash alternates. As can be seen in the /a/c/f/g/r/y/ glyphs, hooked terminals are a key feature of this typeface. These terminals are blade-like in appearance, defining a distinctive character that is unusual, yet balanced and refined.

Practical features include 38 capital swash alternates for intial and final forms that can be particularly effective when used in titling and branding situations. Small caps are also included (along with matching diacritics) – these are designed to harmonise with regular lowercase forms so that you may easily achieve unicase-style typography.

There are 18 fonts altogether, with 9 weights from ExtraLight to Ultra in both roman and italic. Arise has an extensive character set that covers all Latin European languages.

Key features:

• 9 Weights
• Roman & Italic
• Small Caps
• 38 Alternates
• Old Style Figures
• European Language Support (Latin)
• 700+ Glyphs per font.

Loubag is a combination of modern sans and serif font with a retro touch that makes Loubag unique and look fresh.

This family has 9 weights from thin to black, also includes a Variable style as well as multilingual support, numbers, and currency symbols.

This versatile font is suitable for use in many design forms, for example magazines, postcards, logos, DIY Projects, invitation card, quotes, vintage look design, old classic ,60s, 70s, 80s era, wedding projects and much more. We recommend using Adobe Illustrator or Photoshop.

how to access alternate?

-Adobe Photoshop go to Window - glyphs
-Adobe Illustrator go to Type - glyphs

Supported Languages

Western Europe, Central/Eastern Europe, Baltic, Turkish, Romanian

Hartia is modern serif family designed to be tireless worker (aka workhorse) for all situations – from small size texts in different editorial situations to main webfont usage. Designed with asymmetric serifs in 5 weights and 5 true Italics, Hartia is gently different and enough recognisable to deserve attention for any serious project. With slightly taller x-height, Hartia comes with OpenType features (ligatures, tabular numbers, fractions, small caps and localisation for Poland, Netherlands and Serbia). It is fully packed for Latin language support and equipped with Russian Cyrillic as default Cyrillic set (with previously mentioned localisation for Serbia).

Eurotypo BKL is a family of fonts inspired in on one of the most beautiful British Typography ever done. This version of Baskerville tries to reflect the taste of his fine style, compatible with the bluntness of the digital present.
As many other designers and foundries, our intention has been to represent the atmosphere of Baskerville’s style, than simply relive the shapes of its letters.
Actually, capitals fits almost to a square proportions, lowercases are more open, ascenders and descenders are shorter, offering more space for enlarge the “x” high.
The beauty of his letterforms can enrich headlines; this font can also be used as body text for its good legibility and accurate kerning.

John Baskerville (1706-1775) was born 1706 in Wolverley, England. He was a great typographer and printer who published a remarkable edition of Virgil in 1757. His typefaces were greatly admired by Benjamin Franklin; He also has improved and developed many innovations in printing, paper and ink production.
Baskerville’s typefaces are regarded as transitional types that represents the link between Old Roman Style and Modern Roman typography.

Hubble font is being released to commemorate the Hubble Space Telescope’s 30 years of viewing the wonders of space. Hubble is strong, dynamic, and simple, because of that, very suitable for the design of logos, product branding, poster design, t-shirts, short signage, book covers, magazines, WEB banners, packaging, and other beautiful and creative things such as music, fashion, film ...

Introducing, Childay Script. A beautiful and unique modern calligraphy script typeface. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :

- uppercase & lowercase
- numbers and punctuation
- multilingual
- swashes and ligatures
- alternates
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Email us to letterhend@gmail.com if you need something! Happy Designing!