Irene Holt

Notebug looks like there was a bug playing around with an inky pen. Notebook with a bug = Notebug!
Made with a hefty inky pen and quick strokes. You got 3 layers to play around with: Regular (the outline) Fill (The “inside” of the Regular version and Layer (best used as a background layer for Regular)

Initially started as an extension to Praline MCL, Roca transformed into a new font family - influenced by the same fonts as Praline - Windsor and Cooper Black - the hits of 60s and 70s – with a hint of Bookman.

Created in 2 styles and 6 weights that can be mixed and match, it contains 24 fonts including alternates and true italics . It is full of OpenType features – stylistic alternates and ligatures.

This multilingual font family supports most of the European languages as well as Cyrillic ones (Russian and Ukrainian).

Fraktion Mono is a semi-technical grotesk and the fixed-width complement to Fraktion Sans. It comes in six weights from Light to Black and offers plenty of typographic solutions through OpenType features like case sensitive punctuation, stylistic alternates, fractions and slashed zero. Fraktion Mono works great for branding, packaging, editorial or any display application and comes with an expansive character set that covers over 200 languages. Fraktion Mono is manually kerned and auto-hinted for crisp display on screen.

The antique wood type Gothic Tuscan [a spurred design with rounded terminals] was the basis for Roundwood JNL, which is available in both regular and oblique versions.

Typography inspired 100% in action, Adventure, Cars, contains different weights and alternatives 12 fonts in total

Based on William H. Page’s Clarendon Extended wood type from the 1800s, Clarified JNL is digitally available in both regular and oblique versions.

In the days of wood and metal type, foundries often made changes to an existing design to make their font more unique and different from their competitors. 

Clarified JNL is different from Clarenwood JNL (which is partially based on another wood type Clarendon and features many alternate letter forms).

Arise speaks clearly and with purpose, it does not need to shout to be heard. It is fairly innocuous and unassuming, you could perhaps say it is straightforward and boring at first glance… but hopefully you will see its defining features upon closer inspection and appreciate its humanistic qualities, its irregularities, and its distinctive elements.

Arise is a multi-purpose type family – being equally at home in text and display scenarios, it retains a pen-drawn style that comes to the fore in its hooked terminals and decorative swash alternates. As can be seen in the /a/c/f/g/r/y/ glyphs, hooked terminals are a key feature of this typeface. These terminals are blade-like in appearance, defining a distinctive character that is unusual, yet balanced and refined.

Practical features include 38 capital swash alternates for intial and final forms that can be particularly effective when used in titling and branding situations. Small caps are also included (along with matching diacritics) – these are designed to harmonise with regular lowercase forms so that you may easily achieve unicase-style typography.

There are 18 fonts altogether, with 9 weights from ExtraLight to Ultra in both roman and italic. Arise has an extensive character set that covers all Latin European languages.

Key features:

• 9 Weights
• Roman & Italic
• Small Caps
• 38 Alternates
• Old Style Figures
• European Language Support (Latin)
• 700+ Glyphs per font.