Irene Holt

One of the classic designs of the wood type era is Hamilton Gothic Bold [from the Hamilton Wood Type Foundry circa 1889].
Clean and timeless, it even had found a resurgence during the rock and roll posters of the 1960s, where vintage wood types and Art Nouveau influences merged with the “Hippie Counterculture”.

Wood Gothic JNL is available in both regular and oblique versions.

Sheet music from 1910 with another one of those ridiculous thirteen word titles (“I Love My Steady but I’m Crazy for My “Once-in-a-While’”) had the lengthy verbiage hand lettered in a bold serif typeface with slightly spurred serifs.

This has been recreated in a digital typeface with a much shorter name: Weekend Date JNL, which is available in both regular and oblique versions.

Greenalyzed is a made up word is a font that could set your mind to something handmade and eco friendly. The letters are clumsy and childish naive, but really fun and legible. Comes in 3 different versions: Regular, Rough and Stitch. The Stitch version is good as a top or shadow layer. I also added multilingual support and “jumpy” ligature substitutions for the most common double letters.
Enjoy!

Based on William Page’s Skeleton Antique wood type (circa 1865), Local Printer JNL is available in both regular and oblique versions.

Primarily used for text passages, the type design also works well in headlines and sub-headlines needing less emphasis and a touch of subtlety.

Hexaframe CF evokes the awe and potential of of heavy machinery and robotics. Clad in tough polygons and rounded edges, Hexaframe is a perfect typeface for corporate identity, STEM toys, and user interface design.

All typefaces from Connary Fagen include free updates, including new features, and free technical support.

This is condensed and more visually compact version of Skarpa font. All kerning has been thoroughly revised and manually adjusted.

The font is based on geometric forms devoid of excessive flourishing.

Would suit modern designs either in fashion, technology or laboratory setting. Would look good on door plaques in pharmacy or simple drawer plaques - especially Medium or Bold specimen. Lighter specimens would look good in leaflet & magazine print (see presented posters).

This is long awaited thorough revision to Skarpa family. The revision has inculded both another look at letter shapes as well as kerning and metrics of the files.

The shapes encapsulated in this font stem from old time architectural drawings hand executed at drawing board with tracing paper and rapidographs. Think of lettering stencils sliding across the tracing paper and craftily exectuted drawing descriptions.

The font is based on geometric forms devoid of excessive flourishing.

Would suit modern designs either in fashion, technology or laboratory setting. Would look good on door plaques in pharmacy or simple drawer plaques - especially Medium or Bold specimen.